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DECONSTRUCTING HUMAN ESSENCE: LESSONS FROM DOGVILLE

Pedro A. E Castro
Published 30 January 2025
Vol. 11, No. 1 (2023)
pp. 1-7
CC BY 4.0
  1. 1
    Pedro A. E Castro
    Instituto de Estudos Filosóficos, Faculdade de Letras da Universidade de Coimbra, Largo da Porta Férrea, 3004-530 Coimbra – Portugal.
    PT

Lars Von Trier, the acclaimed filmmaker, has challenged and redefined the art of cinema through his distinctive and provocative films. This article explores how Von Trier's work, including his groundbreaking film "Dogville," has reshaped cinematic conventions and aesthetic experiences. By examining his evolution from earlier works like "Breaking the Waves" to more recent productions such as "Melancholia" and "Nymphomaniac," we see a consistent thread of originality and reflection on the film industry. "Dogville" marked a significant turning point, inaugurating a unique paradigm for film production and transforming the viewer's aesthetic experience. Von Trier's films deconstruct conventions and copyright conditions, offering new artistic and cinematic possibilities while challenging traditional cinematic philosophy. This article delves into the impact of Von Trier's work on the American film industry and how it has influenced the way we perceive art and cinema.

JournalApplied Psychology, Sociology, and Social Policy Journal
ISSN2998-8411
Volume / IssueVol. 11, No. 1 (2023)
Pages1-7
Published30 January 2025
Access Open Access
LicenseCC BY 4.0 — reuse with attribution
PublisherKeith Publications
Castro, P. (2025). DECONSTRUCTING HUMAN ESSENCE: LESSONS FROM DOGVILLE. Applied Psychology, Sociology, and Social Policy Journal, Vol. 11 No. 1, pp. 1-7

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